A body is found in the sweating heat of an Alabama night; headless, words inked on the skin. Detective Carson Ryder is good at this sort of thing – crazies and freaks. To his eyes it is no crime of passion, and when another mutilated victim turns up his suspicions are confirmed. This is not the work of a ‘normal’ murderer, but that of a serial killer, a psychopath.Famous for solving a series of crimes the year before, Carson Ryder has experience with psychopaths. But he had help with that case – strange help, from a past Ryder is trying to forget.
Now he needs it again.
When the truth finally begins to dawn, it shines on an evil so twisted, so dangerous, it could destroy everything that he cares about…
A Sunday Times Top 10 Hardback bestseller, The Hundredth Man is a brilliant page-turner that will keep you hooked from the very first page. To be in with a chance to review it, simply email email@example.com
“25 years ago he stole her innocence, now he knows where she lives…”
From the author of To The Power of Three and the Tess Monoghan series, comes Don’t Look Back, a gripping and intriguing story of memory and murder.
Eliza Benedict leads a simple, quiet family life in the leafy suburbs of Washington. But her world is set to come crashing down around her as she receives a letter from the man who abducted and sexually abused her as a teenager. Now on death row, Walter Bowman, a serial killer and kidnapper, is looking to reach out to Eliza; the victim who lived.
The novel is constructed as two parallel narratives; beginning in the present where we meet Eliza for the first time. She is a mother and wife who has just returned to the USA after following her husband’s career to London and is finding it difficult to connect with her role as a suburban American. This narrative is intertwined with chapters based in 1985 and the tale of her abduction by Walter Bowman as well as his previous encounters with other young women whom he abused and murdered.
The parallel story-lines allow us to connect with both Eliza as a woman whilst also understanding Elizabeth as a teenager. This also allows us to see Walter from both the perspective of killer and abductor as well as his incarcerated present self. Both Walter and Eliza are extremely complex characters who do not conform to generic archetypes of hero and villain. The psychology of both is so well explained through their conversations as well as the use of ‘flashback’ chapters that we are presented with a truly unique example of the victim/abductor relationship.