On the setting of I Know My Name by CJ Cooke

Category: Author Post

Setting is crucial to establish the tone and atmosphere of a novel, and I thought carefully about the ‘where’ of I KNOW MY NAME long before crafting the who, what, and why.

            The book has two narrators – Eloise, who is stranded on an island off the coast of Crete, and her husband Lochlan, who is tearing apart Twickenham to find his wife. Eloise’s stranding on an abandoned island is symbolically tied up with the themes of the story, such as memory loss, isolation, and trauma. The island is fictional, and I called it Komméno, which roughly translates as ‘broken’.

Having travelled to Crete for a research trip during the writing period, my first representations of the island were paradisiacal (as Crete is!), but gradually I changed this to depict the island as a savage wilderness. Eloise is stranded there, after all, with only four dubious strangers for company and completely cut off from the main island. She can’t remember who she is, and the island works to evoke that sense of distressing detachment from an integral part of her identity. Logistics played a role, too: if I’d drawn Komméno as a haven of gold beaches and verdant pastures, the reader might have wondered why Eloise wanted to leave at all! Symbolically Komméno works to capture the fragmentation of her marriage to Lochlan and to convey her memory loss and subsequent recollections.

            In contrast with the raw wasteland of Komméno, the Twickenham passages are largely based in domestic interiors: the Shelley home, Max’s nursery, with a few glimpses at Eloise and Lochlan’s workplaces, and Eloise’s childhood homes. The windswept external spaces of the island, with daunting panoramas of the marooning ocean, are in stark contradistinction to the closed-in urban spaces, or the rooms, offices, and hallways of Twickenham, which point to the ordered lifestyle that Eloise has carved for her family and which Lochlan has worked hard to climb social and career ladders – only to wonder at times why he has bothered. Occasionally claustrophobic and haunting, the interiors spaces were important to me precisely because they make up so much of the daily routine of new motherhood. They also gesture towards the shift in Eloise and Lochlan’s lives from carefree globe trotters as newlyweds to the much more domestic routine imposed by parenthood.

More subtle is the indication of outward versus inward appearances – who Eloise is on the surface is not who she is inside. It is this complexity of personality, the idea of ‘keeping up appearances’, as well as confronting your past, that necessitated a thoughtful representation of setting in the book, and hopefully it comes across that way.


Her Deadly Secret extract

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Ahead of the release of Her Deadly Secret by Chris Curran on 21st July, we have an exclusive extract to share with you:

Chapter One


As the police car brought him home, Joe saw a crowd outside and the cameras started up again. He still had black spots in front of his eyes from the last lot.

It was nearly midsummer, so still daylight at seven in the evening, and coming through the estate he’d noticed how run-down the area looked and realized their own house must seem no better. He had been doing it up, hoping to sell and move somewhere nicer, but he’d been away a lot recently. So the paintwork was peeling on the old front door and the bricks he’d bought to rebuild a wall were piled under the window. Lit up by those harsh flashes, with the knot of people crowding round the gate, it looked not half-finished but neglected.

The kind of place where bad things happen.

He’d used the word exhausted before, coming home from a surveying job at the other end of the country, but this was different. His whole body ached with it. He’d spent two nights driving around Swindon and, when it became light, walking the streets. He’d scoured the parks, getting funny looks from joggers and women with pushchairs, aware he must look half-mad.

The way Hannah was going on didn’t help. She stayed in her dressing gown the whole time, lying on the bed, or sitting at the kitchen table. When he tried to hold her she kept herself stiff, arms by her sides. He talked and talked, telling her where he’d been and what he planned to do next. Instead of speaking she pushed plates of toast or sandwiches in front of him and left him to it. When he did crawl into bed with her for a few minutes she turned away or got up and went downstairs.

At first, the police didn’t seem to take Lily’s disappearance seriously. Hannah had rung him about half past six that night in a panic. Lily was never late back from school and none of her friends had seen her. He’d driven fast, and as soon as he’d got in, dialled 999, and a patrol car came round. But the two uniforms seemed to think it was normal for a 14-year-old to stay out late without letting anyone know. Said they’d ‘look into it’, whatever that meant.

On the third day, they came back; three of them this time. He recognized the black woman constable from that first night, even though she was no longer in uniform. The one in charge introduced himself as Detective Chief Inspector Philips, and explained that Loretta was now their Family Liaison Officer. The woman nodded at Joe, her expression telling him she wouldn’t trust him as far as she could throw him, and went upstairs to see Hannah.

Philips said they now had to treat ‘the disappearance’ very seriously. ‘The likelihood is that she’s gone off somewhere. Maybe something’s upset her or she thinks she’s in trouble, but we need to find her as soon as possible.’

They asked him lots of questions about Lily. How did she get on at school; did she have a boyfriend? He answered as best he could, but too often found himself saying stupid things like, ‘You’d better ask her mum about that.’ All he wanted was to get out again. To do something. Anything but sit here with them watching him. He knew he was fidgeting as he tried to hear the voices upstairs, anxious in case Hannah’s answers were different from his, but he couldn’t help it.

Philips suggested a TV appeal. ‘If there’s still no sign of her by then. I’ll be with you and I can help you with what to say.’

Of course he agreed, and they said Hannah should be there too. She wouldn’t have to speak if she was too upset. But when the policewoman came down she gave the inspector a look and said Hannah wouldn’t do it; nothing could persuade her.

He’d hated doing the appeal and now, as they got out of the car, Philips told him to ignore the reporters. It wasn’t easy with all the cameras and with microphones shoved in his face, one of them knocking against his mouth. Philips stood close to him, and the smell of his sickly aftershave, which had bothered Joe all evening, was very strong. He turned away, preferring the whiff of BO and damp cloth coming from the crowd.

‘Clear the way now. Let us through. Mr Marsden has nothing more to say.’ Philips pushed them both forward, and Joe took the chance to stab his elbow into the guy with the microphone.

The Family Liaison Officer, the one they were apparently meant to call Loretta, was with Hannah at the kitchen table. Hannah didn’t even look up let alone ask how it had gone. Why was she leaving it all to him? Couldn’t she see he needed her?

Philips said, ‘Excuse me, Joe,’ and fumbled in his pocket as his phone chirruped. He kept calling Joe by his first name, even though he hadn’t asked if that was OK and hadn’t offered his own. He turned away muttering into the phone, and Hannah was suddenly standing, brushing off Loretta’s hand and walking towards Joe.

He felt the tears he’d been holding back for so long shift, a lump of rock in his throat, and he moved forward wanting only to cry at last in the warmth of her arms.

But she was looking past him. And her face was terrible. And Joe saw Philips. Saw the tight line of his mouth, the slight shake of his head as he looked over Hannah’s head at the policewoman.

The world stopped. Something hammered in his ears. There was an agony in his throat, and the kitchen had turned into a shimmering photograph; a place he didn’t know.

And in front of him – Hannah. Pale mouth stretched wide with no sound. Hands in her hair, as if she wanted to tear it out by the roots.

He made himself move. Reach for her as she began a broken chant, ‘No, oh no, no, no.’ He pulled her into his arms. She clung to him, and he closed his eyes pressing his face into her hair. Her heart thumped hard against his chest, echoing the rhythm of his own. If they could stay like this, just the two of them, they could hold back the nightmare.

But then she pushed him away and, as he tried to touch her again, she beat at him, hitting his chest, his face, his eyes, her hands clenched into stones. He tried to speak but, as Philips dragged him back, Hannah shrieked so loudly Joe was sure the whole world could hear.

‘Don’t touch me, Joe. Don’t touch me. Keep away from me.’


It didn’t help that it was Alice’s birthday today – what would have been Alice’s birthday. At ten o’clock Rosie switched to another news channel just in time to see the photo of the missing girl again. A slim face and light brown hair, held up at one side with a blue clip. She had already watched the whole of today’s appeal three times. And now there was a sentence of breaking news rolling along the bottom of the screen.

Body found in search for missing teenager.

The girl’s family must have heard already, and she could imagine all too easily what it would be like in that house now.

She wrapped the soft throw more tightly around her legs on the big sofa, curling her bare feet under her. It crossed her mind to put the central heating on or move to the kitchen. The sitting room, which had seemed so elegant when they bought the place, always felt cavernous when Oliver wasn’t at home; the windows too large even with the curtains closed. She wished they hadn’t positioned the sofa in the middle of the room near the fireplace and TV, where you had to look behind you to see the door and the hallway.

The kitchen was large too, and they’d extended it to make a dining area which was nearly all glass. She shivered at the thought of pulling the blinds in there, one by one, while the lights turned the garden into a black emptiness. She always had the feeling that someone was out there, staring in at her.

Here was the news conference again, coming from Swindon. She’d never been there, but thought it was in Wiltshire, about a hundred and fifty miles away from their home in Hastings. The policeman in charge was explaining they were seriously concerned about Lily, because she was only 14 and she wasn’t the kind of girl to go off without letting her parents know. Unusually, the mother was absent and the dad looked very lonely up there, flanked by the row of uniforms, a bank of microphones in front of his face.

He was coughing now, the father, as the police inspector said Mr Marsden had a message for his daughter and cameras clacked like a volley of gunshots in the man’s face.

‘Lily, love, if you can hear this we’re worried about you … sweetheart. So come home if you can. We won’t be cross with you if you’re in … I mean, if you’ve done something wrong.’ He stumbled to a halt, cleared his throat and glanced at the policeman, whose nod told him to go on. ‘Your mum’s beside herself with worry.’ He gulped at a glass of water. ‘We both are; so, please call us if you can. Just to say you’re all right.’

The father stopped, looked up then flinched back into himself as the cameras flashed. He turned to the policeman. ‘That’s all.’ Looking down, his face red and voice gruff, suggesting tears held back, he muttered to the table, ‘We love you, Lily.’

As the cameras clattered and flared at him again, Rosie wondered whether he knew that, if the body they’d found was his daughter’s, he would soon be the prime suspect.

‘Mummy, Muuum.’

The cries must have been going on for some time, and she bounded across the hallway, the parquet floor cool under her feet.

Fay’s room was warm, but she was sitting up in bed, eyes puffy with sleep and tears. ‘I had a dream and you didn’t come.’

‘I’m sorry, I didn’t hear you.’ Rosie sat on the bed, holding her daughter and kissing her hair. It smelled musty with sleep.

She tucked Fay in and passed her a doll from the pile of toys at the end of the bed.

‘No, I want Doogie Dog, not that.’

Fay always reverted to the behaviour and toys of her babyhood after nightmares but, by morning, Rosie knew she would be an indomitable 6-going-on-15-year-old again. Now, with the green fleecy dog under her chin, she was nearly asleep, and Rosie sat watching her, filled with so much love she could barely breathe. She pulled a strand of pale hair away from Fay’s lips, but her daughter brushed sleepily at her hand, irritated by the touch.

After watching for a few minutes Rosie stood, holding the rejected doll. In the past year or so everything had had to be on Fay’s terms, and Rosie found it more and more difficult to deal with her. ‘Maybe she needs a brother or sister to show her she isn’t the centre of the world,’ Oliver had said a couple of times recently but Rosie wasn’t sure how serious he was.

And another baby wouldn’t change things. Fay was the centre of their world and always would be. No other child could take that special place: just as Rosie had never been able to replace her parents’ firstborn, Alice.

It was difficult to believe it had been fifteen years since Alice was killed. (Rosie always found it difficult to use the word murdered even in her thoughts.) Rosie had been 14 at the time, like the missing girl; Alice, two years older. At times, it seemed like yesterday. Yet so much had happened since then. Sometimes, she went whole days without thinking of her sister. Sometimes, she was even able to remember the good things. Their childhood together, before everything went wrong. Able to show Fay the pictures of Auntie Alice and tell her funny stories about those days. To think about how, when she was little, she had adored her big sister and longed for her love and approval. It was when she saw news of missing or murdered teenagers that it became impossible to forget what came later. And how it all ended.

The TV was still on in the living room and showing the father of the missing girl leaving the press conference. He looked nice enough: an ordinary dad, with a thatch of untidy brown hair streaked with a few strands of grey. His face was pleasant, the hint of stubble somehow making it more appealing, and when he looked up she saw eyes that might have been kind if they hadn’t been so haunted.

But then, Rosie knew only too well how easily eyes can lie.

The Detective Club July Picks

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The Detective club is BACK! The exhilarating series of crime fiction with all the whodunit feels of ‘the Golden Age’ of 1920s and 1930s classic crime. The Detective Club present a series of storylines set against glamorous backdrops with their original vintage covers. With a mixed set of tragedies and subtle romances, these books are known for their surprising endings and solutions that the reader won’t see coming! In the words of the master Bernard Capes:  – ‘a successful crime [is] but a crime that does not appear to be a crime at all.’

Follow the Killer Reads blog to keep up to speed with our best classic crime picks every month from The Detective Blog.

Introducing Ngaio Marsh’s The Nursing Home Murder...a book that transforms the detective story from a mere puzzle to a full-blown fascinating novel!  With the utterance of one man’s murderous threat and the death of the Home Secretary the very next day, this is a story of victim and perpetrators alike where nothing is quite as it seems.  Chief Detective Inspector Roderick Alleyn is the first to say so, as he is left with the complicated task of finding the murderer of a victim with many enemies. The surgeon wasn’t the only person in the operating room with motives for murdering him… Following her debuts A Man Lay Dead and Enter A Murderer, Marsh promises an ingenious Detective Story classic with a shocking ending you won’t see coming!

And secondly we have Francis Durbridge’s Paul Temple and the Tyler Mystery – the first full-length Paul Temple novel not based on a radio play! When two young women are found murdered within a week of each other, crime writer Paul Temple is enlisted by Scotland Yard to unravel the mystery. Working with his astute wife, they both discover a dark secret that has the power to place them both in mortal danger… Durbridge promises an exhilarating and suspenseful crime novel you won’t be able to put down!

The Nursing Home Murder is OUT NOW! And you can get Paul Temple and the Tyler Mystery from 27th July.