This weeks review is brought to you by our very own Laura Deacon
For the next three months we have more to look forward to than ballroom dancing, Z-list popstars and upstairs-downstairs costume drama. Yes, Antiques Roadshow returned last night much to my joy!
But that’s not what I’m here to write about. Last night, nearly 3 million eager viewers tuned in to the return of Homeland. Each week we will write an episode review and we want to know what you think!
Be warned, there are spoilers contained in this review!
As we are leading up to Halloween I decided it was the prime opportunity to ask the Killer Reads team what books they have each recently read that gave them nightmares. Being a group that love thrillers, crime and anything that means you spend the next week leaving the lights on just so you can sleep, they all proceeded to pull at least one book out of their bag that had given them the heebie jeebies.
So we thought we would share them with you so that you, like us, can start preparing your scare-o-meters for the ever looming fright night…
Chosen by Emad Akhtar
Blacklands is a story that unsettled me for a long time – it’s an unusually absorbing and affecting story. This is partly because Blacklands, as Belinda Bauer says in her afterword, ‘was never intended to be a crime novel’. It began as a way of exploring ‘the impact of crimes such as Avery’s, how they affect people for years, lifetimes – maybe even generations’.
This week sees our Killer Reader Kate Stephenson (pictured right) asking for your views on modern Twisted Thrillers Vs. the classic Murder Mystery…
Earlier this year at the Oxford Lit Fest, Sophie Hannah and Simon Brett discussed the respective merits of the dark and twisted new school and the cosy old school of murder mysteries in a panel entitled Murder Mystery: Blood Bath or Brain Teaser?
Has crime fiction become too gory? It’s a question hotly debated amongst readers and writers alike. Some hark back to the masters of the cosies like Agatha Christie and Dorothy L. Sayers, and despair that contemporary crime fiction has gone too far, indulging in graphic violence – particularly the torture of women and children – for sensationalist purposes. Others don’t have a problem with it, being that it is fiction, after all. The authors are not committing the violent crimes they describe, nor inciting readers to do so. And surely we’re all consenting adults, making our own reading choices – if what you’re reading offends you, all you need to do is put the book down.